This special issue of Appunti leopardiani collects some of the contributions delivered on the Leopardi day held at the University of Birmingham on 15 February 2011 with the title: Variants on Loss and Silence in Leopardi.
The entries “loss” (perdita) and “mourning” (lutto) are missing from the analytical index of Giacomo Leopardi’s Zibaldone di pensieri (and from Leopardi’s own indexes too); perhaps not so surprisingly, as the rubrics “pleasure” and “suffering” with their multiple subheadings (including Teoria del piacere, and Piacere nella disperazione e nel dolore) seem to already encapsulate in many ways the other two motifs. From his earliest poetic writings–«La morte di Ettore», the drafted tragedy «Maria Antonietta», and the «Argomenti di elegie», to name but a few–Leopardi drew on these motifs for inspiration. However, loss and mourning are not only present in his work as marks and echoes of death, lending themselves to set up a human drama. They also are, to a large extent, metaphors for silence: the silence of individuals’ and people’s histories, but also the dazzling silence with which humans respond to overwhelming feelings: «Il silenzio è il linguaggio di tutte le forti passioni, dell’amore […] dell’ira, della maraviglia, del timore ec.» says Leopardi in the Zibaldone.Furthermore, in positing that «le ragioni e maniere occulte dell’esistenza […] noi non conosciamo nè intendiamo punto, […] neppur quanto alla nostra specie e al nostro proprio individuo», Leopardi also insinuates that silence marks the impossibility for the human mind, and, accordingly for language, of capturing the ultimate meaning of man’s existence.
The essays collected in the section « Articles» of the journal explore different manifestations of the themes of loss and mourning, and of the adjoined motifs of silence, lack, absence, nothingness, anguish, grief and sorrow that inform Leopardi’s uninterrupted reflection upon the essence of human life.